Well, it’s finally out there! Vworp Vworp! was officially released into the world on Thursday, at a launch party at that regular haunt for Doctor Who fans, the Fitzroy Tavern in London, hosted by m’colleague and co-editor on the zine, Gareth Kavanagh, and Dez Skinn, who should need no introduction. And it’s gone done really well! The DWM team, who generously gave us loads of free publicity in their latest issue, love it. At the subsequent SFX Weekender convention, it went down an absolute storm. It even got the Dave Gibbons seal of approval!
Apart from co-editing and design duties, I also designed the Vworp Vworp! website, www.vworpvworp.co.uk. I know I’m very biased, but I do urge you all to snap up a copy while you can, if you haven’t already. I’m terribly proud of it and look forward to getting stuck into Volume Two, which should be out in five or six months…
Been a bit quiet of late here, apologies. I’ve been hard at work on Vworp Vworp!, the fanzine of Doctor Who comics and things that we’re waiting for the printers to get round to. Here are the two covers:
More to follow when the zine hits the stands in January.
Vague review of The End of Time Part One:
I found yesterday’s Doctor Who the predicted mixture of the exhilarating and the irritating, and am putting off watching it again until I see Part Two. Didn’t much like the sub-Matrix Reloaded ending, but look forward to seeing some hard-ass Time Lord action next week… but what’s the betting that instead we’ll have another hour of faffing around, plot holes, annoying music that either drowns out important dialogue or signifies comedy, then, hopefully, a truly exciting and moving regeneration. Loving John Simms and Bernard Cribbens, and can’t wait to see more of Timothy Dalton.
Thanks to Alex Wilcock for sending me this. Apparently Russell said it was “really rather good”. Hurrah!
Anyway, turkey sandwiches beckon. I hope you’re all having a marvellous Christmas!
Hello all, sorry things have been a bit quiet hereabouts. I’m hoping to get my act together and post some more nonsense soon, but in the meantime I thought I’d show you a job I’ve just completed. Gareth at The Lass O’Gowrie, a terrific pub in Manchester, required a new logo… … some postcards to promote the Lass’s food, booze, events and function rooms…
… plus a mocked-up retro computer game cassette inlay…
Paul Redfearn’s the clever sausage behind the Ena Sharples artwork used in the logo.
Nothing whatsoever to report so I thought I’d share some more Dagenham philosophy. Appearing on a 1965 New London Palladium Show, Messrs Cook and Moore discuss Kirk Douglas’s dimple, Jane Russell’s busty substances and the meaning of life…
I've decided to live in a lighthouse. I love the look of these beauties, how they could be perfectly ordinary Cape Cod houses, right down to the streetlights and chimneys, if it weren't for the inadequate-looking stilts and the bloody great light on the top.
(from the US Coastguard) (1 comments)
Marked Man is the first in a fun but wonderfully odd series of plays, entitled Susan, that exist only in the client’s head. Part one guest-stars Frank Marker from the marvellous Public Eye (I’d love to see Alfred Burke in Doctor Who), Turlough and Dodo. And it’s written by Dennis Potter.
Hello all, sorry I’ve not added any content in a while - been in a bit of a funk, so creativity’s shot to hell. I thought I’d introduce you to three fantastic little films you may not have seen before.
The Wolfman (dir. Tim Hope, 1999)
“I was sitting in my leather arm chair watching telly, thinking how marvellous it would be to be a werewolf. How fantastic and different my life would be…” You may have seen the brutally edited version used as Playstation2 advert, but this is the original six-minute mini epic, a masterful aural and visual trip into what I can only assume is the very weird mind of animator Tim Hope. Apparently it was created in Hope’s bedroom without any funding, using 2D cutouts and a basic 3D animation program. Wait until you get to the transformation into a “hairy person… a huge rancid dog”: it really is a rich, stunning rush. Here’s a link to the PS2 ad but I urge you to experience the full version, preferably with the lights down and the sound up. It’s amazing.
If I felt motivated enough, I’d spend my Sundays raging against the pointlessness of Sundays. Maybe if I wasn’t such a frightful heathen the day would mean something to me, or it might offer respite if I had much going on during the rest of the week, but to me Sundays have always been terribly, crushingly dreary. So, to give some purpose to this most maddening of days, I shall be posting random stuff; basically, whatever takes my fancy. And yes, I know it’s Monday now but today felt like yesterday all over again. Well, more like Sunday²… oh, don’t get me started on Bank Holidays…
Today, as the populace is gripped and confused by the threat of another terribly scary pandemic, this time “swine flu”, I was looking at some of the old “coughs and sneezes spread diseases” posters that inspired the Hancock clip above. Check out some awesome design work among the selection I’ve gathered together below - even the grimmest of them are inventive and aesthetically pleasing. I particularly love the Chinese propaganda poster from the 50s, “Are You a Fifth Columnist?” and the first two “Trap the germs in your handkerchief” designs from WWII. Those that graphically display spittle spraying from mouths are particularly disgusting but undeniably effective, although I can’t help but think of the Brundlefly when I look at “Cover coughs, cover sneezes”. The final two are very recent: love the humour of the cartoon and the photography on the last poster turns sneezing into something almost beautiful. Get the sniffles just looking at it, don’t you?
Anyone who remembers my Sword of Orion cover will recognise the origins of this. Sometimes a chap’s got to give in to the urge to just blow shit up. Comments welcome.
Meanwhile, over on the popular online auction website eBay, I’m flogging the jolly rare Press Gang novels: First Edition, Public Exposure, Checkmate and The Date. Go on, have a look - they’re written by Steven Moffat’s dad!
Did you know the name ‘eBay’ originates from a comedy tribute to the world’s favourite organ-liquifying disease Ebola? So, while you’re busy bleeding from every orifice, remember: only twelve minutes left on that chocolate-flavoured nipple spread (with applicator) you’ve been watching.
Of no particular interest or practical use to anyone, here’s the ultra-rare 1964 Big Finish Dr Who EP, ‘The Edge of Destruction’, found in the basement of a Satanic church in Uttoxter. I had a listen, it’s rubbish. If you right-click and open in a new tab (or window) you can get a much better (1685 x 1226px) look at it.
Made using Photoshop, Blender (thanks to Richard Marklew for the fantastic console mesh) and surprisingly little photography.
Also, because I’m really poor, I’m forced to sell more stuff from my house. Apart from a couple more piles of old A5 fanzines (copies of Auton, anyone?), you may be interested in purchasing a signed photo of the actor and cosmic hobo Patrick Troughton, looking a little bit simple and cross-eyed, for display in your very own home. It’s really rare because Mr Troughton’s not signed any autographs in, like, ages, let alone scribbled on the back like he has this one. Have a look here: http://cgi.ebay.co.uk/ws/eBayISAPI.dll?ViewItem&item=200336667513
I watched some of the filming of the new series of Foyle’s War today. The driving rain and the card some cruel swine put under my windscreen wiper ( “Free scrap car collection” ) had conspired to depress the hell out of me, but I thought Michael Kitchen might cheer me up. Perhaps I might swap witty banter with Michael Kitchen, probe him about playing the Devil, the King of England and a rather dull policeman in wartime Hastings, maybe give him a few tips on how to improve his acting. I’d even decided on my opening gambit: “Hello Michael Kitchen,” I’d say. ”Aren’t you Michael Kitchen?” Really, I couldn’t fail to become Michael Kitchen’s new best friend.
Knockhundred Row in Midhurst, West Sussex, still looks much the same as it did a hundred years ago, when a youthful H G Wells worked there. By applying black grit to the road, dotting some lovely old vehicles about and sticking a few bits of paper over the signs, it’s easily transformed into postwar Hastings (because for DCS Foyle the war is now over - but will the series, recently rescued from cancellation, remain Foyle’s War?). I was particularly taken with the following sodden bit of set dressing. I should very much like a butterfly bomb:
Not even a month online and this site has become the target of spammers - seriously, what the hell do these fuckers hope to achieve by sending 289 messages about some drug or other, that will only get deleted anyway? Yeah, I know it's all automated (apparently for every twelve-and-a-half million emails sent, spammers can expect one reply - in their twisted world this is deemed a success), but there's actually some spotty, living, breathing shite out there who programmed the evil little thing that invaded my site. Anyway, I've hopefully found a way to combat the problem and normal service has resumed, but meanwhile can I take this opportunity to wish the individual(s) responsible nothing but the most painful and protracted flavours of harm? Thanks. (3 comments)
RECENT COMMENTS